Zoe Freney Curriculum Vitae
Curriculum Vitae
Education
2018 PhD candidate, Fine Arts, School of Art and Design, Australian National University
2016 PhD candidate, Fine Arts, University of Tasmania
2010 Masters in Art History (Coursework, Dissertation), Adelaide University
2006 Bachelor of Visual Art, Adelaide Centre for the Arts
2005 Diploma of Visual Art, Adelaide Central School of Art
Selected Awards, Residencies and Prizes
2019 Finalist, Tatiara Art Prize
2019 Finalist RSASA Portrait Prize
2018 Finalist, Heysen Art Prize, Hahndorf Academy
2018 Scholarship for PhD research, Australian National University
2018 Finalist, Fleurieu Art Prize, McLaren Vale
2017 Finalist, 9thProspect Portrait Prize
2017 India Art Engagement Residency Program supported by South Australian Government, UniSA and ACSA
Employment
2018 Head of Department, Art History & Theory, Adelaide Central School of Art
2015 Tutor, Studies in Southeast Asian Art History (Masters Program), Adelaide University
2015 – 3rd Year and Honours Studio Practice Supervisor, Adelaide Central School of Art
2014 Carclew’s Creative Education Partnerships, Lyndoch Primary School, Mentored Emerging Artist.
2012 Masters Dissertation Assessment, Adelaide University
2011 - ongoing Lecturer, Art History & Theory, Adelaide Central School of Art
2011 Tutor, Masters in Art History Program (Indian Art), Adelaide University
Selected Solo Exhibitions
2018 Motherology, Collective Haunt Inc, Norwood, 8 November-8 December
2016 Part of the furniture, Adeladie City Libraries, Hutt Street, August
2015 Ordinary, Curious, Adeladie South West Community Centre, 6 December – 6 January
2006 Little Pieces, Premier Gallery, Adelaide
International Exhibitions
2019 Re:birth, Spilt Milk Gallery, Edinburgh, Scotland, 25 September
2018 Labors: An Exhibition Exploring the Complexities of Motherhood,Pearl Conard Art Gallery at The Ohio State University, Mansfield, February 26 – March 23
2017 Sisters Sangam, Jaipur Art Summit, 14 December -18 December
Selected Group Exhibitions
2019 Sisters Sangam, SASA Gallery, Oz Asia Fesitval, Adelaide, 31 October-14 November
2019 Tatiara Art Prize, 2019, Walkway Gallery, Bordertown, 20 September
2019 RSASA Portrait Prize2019, Adelaide, 28 June
2019 Silver Linings, Praxis Artspace, Bowden, SA, 20 June-12 July
2019 Herland: In Search of a Female Utopia, Women’s Library, Newtown, NSW, 8 March – 4 April
2018 Good Mother, Central Gallery, Glenside, August
2018 Heysen Landscape Art Prize, Finalist, Hahndorf Academy, October - December
2018 Fleurieu Biennial, Finalist, McLaren Vale
2018 Labors: An Exhibition Exploring the Complexities of Motherhood, Pearl Conard Art Gallery at The Ohio State University, Mansfield, February 26 – March 23
2017-2018 9th Prospect Portrait Prize (Finalist) Prospect Gallery, 26 November 2017 – 28 January 2018
2017 Jaipur Art Summit, Jaipur, India, 14-16 December
2017 I like you: your eyes are full of language, Light Square Gallery, Adelaide, 8 September – 29 September
2017 Emma Hack Art Prize (Finalist), Burnside Village, 15 March – 24 March
2015 Salon Hang, The Floating Goose, Adelaide, 27 Febraury -29 March
2014 Wish You Were Here, Adelaide Central Gallery, 25 October - 15 November, Glenside
2014 These Things We Hold, Light Square Gallery, 2 July – 31 July, Adelaide
2014 Gematria, Adelaide Central Gallery, 17 June – 11 July, Glenside
2012 ACSA Lecturers and Staff, Adelaide Central Studio Gallery, 28 July – 26 August, Norwood
2008 Kewpie, Bliss, Adelaide
2006 JellyCake and Marshmallow Mice, Thea Tea Shop, Adelaide
Publications
2019 Honor Freeman making sense of grief through ceramics, Art Guide August
2018 Lady Like, FinePrint 18 online
2018 Jude Adams: Narratives from the Family Album, Artlink, 10 December
2018 Review: Tom Phillips, Suburban Castaway, Art Guide Australia Online, January
2018 These Four Walls, Catalogue Essay, Jess Mara, Floating Goose, Adelaide, February
2017 Preview: Tarnanthi at JamFactory, Art Guide Australia, print edition, August-September
2017 Feature: Deidre But-Husaim, bees, curiosity and coincidence, Art Guide Australia Online, July
2017 Review, Emmaline Zanelli, Art Guide Australia Online, May
2016 Preview: Both diggers and artists turn shrapnel into art, Art Guide Australia Online, November
2016 Preview: Artists examine fallout of atomic age in Nuclear, Art Guide Australia Online, August
2016 Preview: Dug and digging with, Art Guide Australia Online, July
2016 Non-Space generator, Catalogue Essay, Lily Ahlefeldt, CACSA Project Space, July
Conferences and Papers
2019 Between Heaven and Earth, digital video, The Care Project Symposium, George Paton Gallery, University of Melbourne, 30 October-2 November, contemporaryartandfeminism.com/care/the-care-project-symposium-week
2019 Artist Mothers and Virtual Collectives: making art and community from home, AMIRCI Conference: Beyond Mothering Myths, Sydney University, 10 - 12 July mothering.org.au/conferences
2018 Mother Artists: strategies for creativity and care, Aesthetics, Politics and Histories: The Social Context of Art, AAANZ Conference, RMIT Melbourne,5-7 December aaanz.info/aaanz-home/conferences/2018-conference/
2017 Movements of Motherhood, FRAN Fest, Adelaide, AGSA, 16-17 September franfest.com.au
2015 ‘Vasari and the Perfect Wife: ‘fempathy’ as a strategic method in teaching art histories and theories,’ ACUADS Conference 2015: Art and Design Education in the Global 24/7, 24-25 September 2015, School of Art, Architecture and Design, University of South Australia, online at: http://acuads.com.au/conference/2015-conference/
Scholarships and Masterclasses
2009 Eat Your Words Masterclass, Brisbane, 2009
2008 Critics' Masterclass, 2008 Adelaide Festival, Adelaide
2004 Alumni Scholarship (inaugural winner) Adelaide Central School of Art
2002 Scholarship for Continuing Students, Adelaide Central
School of Art
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